Review | 'Starters'

Starters
Lissa Price
352 pg., U.S. hardcover
Delacorte
4 stars | B+



From Goodreads:

HER WORLD IS CHANGED FOREVER

Callie lost her parents when the Spore Wars wiped out everyone between the ages of twenty and sixty. She and her little brother, Tyler, go on the run, living as squatters with their friend Michael and fighting off renegades who would kill them for a cookie. Callie's only hope is Prime Destinations, a disturbing place in Beverly Hills run by a mysterious figure known as the Old Man.

He hires teens to rent their bodies to Enders—seniors who want to be young again. Callie, desperate for the money that will keep her, Tyler, and Michael alive, agrees to be a donor. But the neurochip they place in Callie's head malfunctions and she wakes up in the life of her renter, living in her mansion, driving her cars, and going out with a senator's grandson. It feels almost like a fairy tale, until Callie discovers that her renter intends to do more than party—and that Prime Destinations' plans are more evil than Callie could ever have imagined. . . .


To start off, this is definitely a book that people will either incredibly love or kind-of-like. I doubt that anyone would really hate the book, but I have yet to be proved wrong. You can bet this review will be spoiler-filled, so if you haven't read Starters, I strongly recommend doing something else that's as equally as entertaining as this review, or you know, actually reading the book. Kthnxbai.
WRITING: 

• PACING -- Lissa Price debuts with a quick-paced, strongly appealing story with a plot that works with the pacing. Very rarely is quick-pacing valued with a plot as fresh and needing-complexity as this one, but Lissa Price pulled it off very nicely. Pacing can, at times, become a distraction in some books, and while Starters isn't entirely an exception, it definitely avoids that stereotypes in many cases. The only issue I have with the fast-pacing is the infrequency of it. While the book is entirely-fast-paced, the speed does change a bit, meaning it goes from a mild level of quick, to this extreme-Sonic-speed that leaves the reader wondering how a writer can tell a 350-page story very strongly with such quick-pacing. I felt that she was dishing the exposition out so quickly that I wondered if there would be anything else. The ending did end up being 30-pages of recuperation, which was kind of annoying and unnecessary, but unsurprising. The final 100 pages were interesting, though, and well worth the wait, what with the whole Blake-being-the-Old Man, Sara being killed, etc.
• DIALOGUE -- The dialogue in this book definitely was not a stand-out to me; not even in the slightest. I don't really have a lot to say about it, for it wasn't a big thing in this book, for the story was more dependent on actions rather than words, which was totally fine, in my opinion. That's not to say I was disappointed in the dialogue, sure I wish there was more, but I was okay with what I was given.
• ORIGINALITY -- It's always difficult to analyze the originality of an author's originality when it comes to writing. Obviously you're going to draw similarities to other authors, and Lissa Price is no different. I don't really think I can pinpoint which specific authors I could draw connections to, but I definitely experienced flashes of 'Whoa, I've...I've seen this writing, RIGHT?' throughout the story.

STORY:

The story of this book is sort of difficult to grasp without reading the summary, so I'll try to play it out from what I understood/liked from it. Okay? Alright. So it takes place in this post-war America where teenagers sell their bodies (in a non-sexual way; sexual contact would cross into illegality) to elderly people who want to re-experience the fun that teenagers really can. I'm not saying that elderly people can't have fun, but they aren't physically able to do some things that younger, more fit, people can. Callie does so, and her body winds up in that of an assassin, which is where the story really picks up and gets interesting. The assassin is meant to kill the senator to get a point across to the body bank (if you're not following along, they're the people who are in charge of renting bodies; i.e., who gets the body, when, how, who the body is, etc.), and Callie starts to uncover, via very The Host-like internal conversations with her renter, that the Prime Destinations (body bank--run by the Old Man) is up to no good. She finds out that they plan to sell the bodies of attractive people, and this causes a whole ruckus for various reasons. She discovers that her sort-of-kind-of-maybe lover, Blake, is being rented for the Old Man, which is BLERSHKGFH. So, that's kind of it, in a nutshell. The plot and story are very, very original, except for those little glimpses of The Host, which were kind of annoying, yet very helpful to the main character. My favorite scenes and ideas from the plot were the ideas of revisiting a teenage body, and Callie's willingness to rent her body out. Just her luck, her renter is trying to assassinate the government. Had this not happened, and Callie was just living as another woman, the story would have been 5x more boring. The plot arc isn't very clear, actually. I didn't think that resolution of the book had anything to do with the reason Callie initially rented her body out, and obviously Callie did find another reason to keep the body around (whether she had a choice or not), but I feel like she lost sight of her initial motivation, and whether that's Lissa Price's fault or not, I'm not sure.


CHARACTER DEVELOPMENT:
Callie develops a ton in this story, mostly with the help of her renter, whose name escapes me, although I'm fairly sure it was Helena. We'll just say it's Helena. Sorry if it isn't, I don't actually own the book, so I'm just trying to remember. She starts out as a bold, protective friend and sister, and ends up still protective and bold, but more learned in the government doings and that truly affects her personality and character a bit throughout the story. Callie becomes a more heroic, love-hate character, which makes her all the more realistic in a rather unrealistic setting. Her brother and friend, who we only really see a few times, do not experience much development, and it's hard to know who else did, seeing as most characters were rented out, so we never knew their true personality, which is why it's such a blow to Callie when she first found out Blake was the Old Man's rentee. I quite liked Blake, but he certainly didn't develop, even with another person inside him. I liked the Enders, though, they were pretty interesting. So, I suppose that's all I've really got to say in the development wing of this review, sadly. At least the protagonist developed, though, which is the main desire.


Starters is the first in a duo, and the sequel, Enders, is set to be released December 11, 2012.