FEBRUARY 28, 2012 --
Last night's episode of How I Met Your Mother started out like one where the viewer may want to moan out loud, "the strip club again?"
We previously learned (in the episode entitled 'Drunk Train') that Quinn, a woman Barney met at a party, is actually a stripper at his favorite club. Barney and Ted begin to notice that she works there, and Barney starts to express his feelings for her, going against her rule of dating customers and confiding many secrets in her. Ted tries to convince Barney that Quinn, aka Karma, is using him to get more money, but Barney continuously shrugs him off. Meanwhile, Ted is starting to adapt to Robin being out of the apartment, and transforms her old room into many different leisurely locations. Robin ends up at Marshall and Lily's home on Long Island and takes notice of how compulsive and strange they act in their suburban home. Lily reveals to Robin that she and Marshall are, in no way, happy where they currently live, but that they only live in the suburbs out of the idea that the area is better for their baby (still in Lily's womb). Barney tells Karma that he knows what she has been up to and that he has been trying to improve himself as a man (presumably after occurrences with Robin and Nora), but that he succombed to her vixen qualities. He storms out of the club but bumps into Quinn at a coffee shop, wherein she buys him a coffee and they share a meeting at the cafe. Ted and Robin confront each other, and Robin informs Ted that Marshall and Lily are not happy in their lives, so Ted understands that it's time for him not only to move on from Robin, but to move on from his own home. He tells Marshall and Lily to meet him in the city, so the two oblige. Upon arriving at Ted's apartment, the couple find the home completely empty except for a note with Ted's handwriting. The note explains how Lily and Marshall's names were never removed from the lease, but that Ted had finally removed his. He also painted Robin's old room a baby blue color and built a crib for Lily and Marshall's baby. The apartment that viewers have known for seven years is know the home for Lily, Marshall, and the family they choose to build.
---------------------------------------
I was very disappointed at the beginning of this episode. I was just incredibly worried that it would become regular for Barney and Ted to attend the club since Quinn works there. As the episode progressed, I definitely opened up to the exclusivity of Barney and Quinn's "relationship", Ted's lonely behavior, and Marshall and Lily's psychotic life on Long Island. I believe that Quinn will be the woman that Barney marries at the end of the season, and that she might even quit her job as a stripper to help support Barney's change of heart. I think this was a very coming-of-age and "growing up" king of episode for all characters. Ted realized he must let go of Robin and all the 'ghosts' she had left in his apartment; Lily and Marshall realized that they were only oppressing themselves by staying in the suburbs; Barney realized that he must shed his life as a spinster and mature as a man; Robin realized she must let go of her own insecurities and become a dependent woman.
Tuesday, February 28, 2012
Friday, February 24, 2012
'Hunger Games' Already Sets Record
The Hunger Games has surpassed The Twilight Saga: Eclipse on first-day ticket-selling! Meaning? This means that, on February 22 (when we here at Potter People all bought our tickets!), The Hunger Games accumulated more money for advance tickets than the previous record-setter, Eclipse.
The Hunger Games is expected to make more money than Twilight did, at least as far as opening weekends go.
Thanks to Hypable.
The Hunger Games is expected to make more money than Twilight did, at least as far as opening weekends go.
Thanks to Hypable.
'Perks of Being a Wallflower' Receives 'R' Rating from MPAA; Intends to Lower
Good news! The MPAA has rated Perks of Being a Wallflower! What does this mean, exactly? It means that the film is in some type of presentable form, and a release date is sure to be announced soon and hopefully the aforementioned date is sometime soon!
Bad news! The MPAA has rated Perks of Being a Wallflower! What does this mean, exactly? Well, the Motion Picture Association of America gave the film an 'R' rating, meaning that many of the novel's readers, as well as fans of Emma Watson, Logan Lerman, and Nina Dobrev, would not be able to go see the film, at least not without an attendee at least seventeen-years-old. Many parents would be turned off to a film such as Wallflower, so that possibility is almost mitigated. Summit Entertainment hopes to lower the rating, as author Stephen Chbosky's desire for the film's rating was (and is) PG-13.
Bad news! The MPAA has rated Perks of Being a Wallflower! What does this mean, exactly? Well, the Motion Picture Association of America gave the film an 'R' rating, meaning that many of the novel's readers, as well as fans of Emma Watson, Logan Lerman, and Nina Dobrev, would not be able to go see the film, at least not without an attendee at least seventeen-years-old. Many parents would be turned off to a film such as Wallflower, so that possibility is almost mitigated. Summit Entertainment hopes to lower the rating, as author Stephen Chbosky's desire for the film's rating was (and is) PG-13.
Jo Confirms Her New Book Will Be Released...
Thursday, February 23, 2012
J.K. Rowling Announces Adult Novel!
First and foremost, all credit for information regarding this is credited to Hypable.
VERY exciting news came today.
Late last year, J.K. Rowling announced her move from Christopher Little to the Blair Partnership Agency, and today, the company announced that Jo's next book will be an adult novel!
To visit the Blair Partnership's tease for the book, click here.
Details will be released later on in the year!
Thoughts on Jo's new book being for adults?
VERY exciting news came today.
Late last year, J.K. Rowling announced her move from Christopher Little to the Blair Partnership Agency, and today, the company announced that Jo's next book will be an adult novel!
To visit the Blair Partnership's tease for the book, click here.
Details will be released later on in the year!
Thoughts on Jo's new book being for adults?
Tuesday, February 21, 2012
How I Met Your Mother | 'No Pressure'
Oh ma gadddddd. CONTINUITY! OKAY. Let's get started with this recap of the season 7 episode "No Pressure."
So we left off last week's episode with the revelation that Ted still loves Robin (yes!) and enter this episode with a couple of awkward "yay, we're together again" smooches between the pair. Meanwhile, on Staten Island, Marshall and Lily rush to MacLaren's to console Ted after Robin heads to Russia for a staff trip. Whilst there, Barney searches for an alleged adult film created by the married couple, but stumbles upon a box labeled "Long-Term Bets." Inside are little slips of paper containing bets placed by Marshall and Lily, most notable is Lily betting Marshall that Ted and Robin will never end up together. Ted finds out about Lily and tries to prove her wrong, but begins to suspect Robin is still in love with Barney. Barney explains how, on the night he broke up with Nora, Robin hadn't broken up with Kevin and denied a further relationship with him (Barney). Ted is then confident about his feelings for Robin and picks her up from the airport and treats her to a night out. When the pair returns to the apartment, Ted realizes that Robin is not interested in a relationship with him. Ted informs Robin that he needs a finite answer about her feelings for him and that their whole 'If you're still single when you're forty, we'll get married' deal is now invalid. He asks Robin whether or not she loves him, and after a brief moment of reluctance and tears, Robin says no. Marshall urges Ted to continue to persist his feelings for Robin, and informs Robin that, in order to maintain a healthy friendship with Ted, she must move out of Ted's apartment. At this point, we hear 'Shake It Out' by Florence + the Machine (brilliant placement in the show! I love the song) as Robin packs her things and returns her key to Ted. We leave this plot with a speech from Future Ted stating that when one window closes, another opens, and a final look at the streets of New York packed with women wielding yellow umbrellas. The final scene of the episode consists of Marshall and Lily sitting in bed, and Lily requesting Marshall pay for his loss of the bet. Marshall replies with, "Not yet."
I absolutely LOVED this episode, especially considering I ship Ted and Robin till the end. I am so pleased that the creators have decided to get back on track with the whole character-driven aspect of HIMYM. I'm entirely glad that Kevin is out of the way, yet I really want a definite answer to the whole "will they/won't they" thing with Ted and Robin. It will be interesting to see where Robin's romantic life ends up, but let's hope it doesn't return to Kevin.
This episode, as well as the previous one ("The Drunk Train"), will be discussed at length on the next episode of the podcast.
So we left off last week's episode with the revelation that Ted still loves Robin (yes!) and enter this episode with a couple of awkward "yay, we're together again" smooches between the pair. Meanwhile, on Staten Island, Marshall and Lily rush to MacLaren's to console Ted after Robin heads to Russia for a staff trip. Whilst there, Barney searches for an alleged adult film created by the married couple, but stumbles upon a box labeled "Long-Term Bets." Inside are little slips of paper containing bets placed by Marshall and Lily, most notable is Lily betting Marshall that Ted and Robin will never end up together. Ted finds out about Lily and tries to prove her wrong, but begins to suspect Robin is still in love with Barney. Barney explains how, on the night he broke up with Nora, Robin hadn't broken up with Kevin and denied a further relationship with him (Barney). Ted is then confident about his feelings for Robin and picks her up from the airport and treats her to a night out. When the pair returns to the apartment, Ted realizes that Robin is not interested in a relationship with him. Ted informs Robin that he needs a finite answer about her feelings for him and that their whole 'If you're still single when you're forty, we'll get married' deal is now invalid. He asks Robin whether or not she loves him, and after a brief moment of reluctance and tears, Robin says no. Marshall urges Ted to continue to persist his feelings for Robin, and informs Robin that, in order to maintain a healthy friendship with Ted, she must move out of Ted's apartment. At this point, we hear 'Shake It Out' by Florence + the Machine (brilliant placement in the show! I love the song) as Robin packs her things and returns her key to Ted. We leave this plot with a speech from Future Ted stating that when one window closes, another opens, and a final look at the streets of New York packed with women wielding yellow umbrellas. The final scene of the episode consists of Marshall and Lily sitting in bed, and Lily requesting Marshall pay for his loss of the bet. Marshall replies with, "Not yet."
I absolutely LOVED this episode, especially considering I ship Ted and Robin till the end. I am so pleased that the creators have decided to get back on track with the whole character-driven aspect of HIMYM. I'm entirely glad that Kevin is out of the way, yet I really want a definite answer to the whole "will they/won't they" thing with Ted and Robin. It will be interesting to see where Robin's romantic life ends up, but let's hope it doesn't return to Kevin.
This episode, as well as the previous one ("The Drunk Train"), will be discussed at length on the next episode of the podcast.
Monday, February 20, 2012
Final Maximum Ride Title and Cover Released!
An extremely exciting discovery I made today! I logged onto James Patterson's website for his three YA series (Max Ride, Daniel X, Witch and Wizard) and discovered that the eighth and final Maximum Ride novel will be called...
Wednesday, February 15, 2012
Emma Watson's Next Film Role Confirmed
It was speculated a few months ago, as we reported, that Emma Watson was in talks to play Belle in Guillermo del Toro's production of Beauty and the Beast, and a day or so ago, it was confirmed that she would, indeed, be playing the titular character.
'Beautiful Creatures' Book IV Title Reveal
Today, Kami Garcia and Margaret Stohl announced the title of the fourth book in the Caster Chronicles.
And the finale will be called...
And the finale will be called...
Friday, February 10, 2012
Emma Thompson Cast in 'Beautiful Creatures'
Emma Thompson, Academy Award nominee, has been cast as both Mrs. Lincoln, Link's mother, and Sarafine, Lena Duchannes's mother. Thompson can be seen in the Potter films as Professor Sybill Trelawney and in the Nanny McPhee movies as the titular character.
Wednesday, February 8, 2012
'How I Met Your Mother' | "The Burning Beekeeper"
TUESDAY, FEBRUARY 7, 2012 --
Last night was the premiere of the long-awaited new episode of the seventh season of How I Met Your Mother. In this episode, the audience joins Lily and Marshall as they hold a housewarming party and invite not only the rest of the gang, but Marshall's boss, Lily's dad (a resident at the Eriksen-Aldrin home), and a divorced woman named Geraldine (and who chases women? Barney, that's who).
One thing I liked about the episode is the aspect of getting straight into the story. It was very fresh to see the housewarming party occur from the get-go, and not watch on as Lily and Marshall hurriedly prepare a sure-to-be-a-disaster get-together. The episode provides backstory by using the show's well-known flashbacks. So we'll do that here.
THE LIVING ROOM
Here, we see Marshall, Lily, Mr. Cootes (Marshall's boss), and Ted (primarily). Marshall and Lily are panicking about the stress of hosting their own housewarming party, something I find very believable for Marshall moreso than Lily. I'm not sure why, but I think Lily's characterization in this episode was a little off. I see Lily as the maternal, yet BA, member of the group, who handles situations in a calm and rational way rather than worrying about the outcome of things. While we do see Lily freak out a couple of times, I just wasn't feeling it this time around. As per the whole Ted/Cootes thing, the main issue was that Mr. Cootes was forcing Marshall to come in late at work and then searches for some Spring Rolls, only to find that they've vanished and believes that Ted was the one who ate them all. Then we see a beekeeper running through the living room aflame.
THE DINING ROOM
We see Barney flirting with divorcee Geraldine and plan to--well, you know--do what Barney always does. Whilst this is occurring, we see Barney eat the last of the Spring Rolls and accuse Ted of doing so when Mr. Cootes asks who finished them off. We also see Marshall plan to confront Cootes about comign into work the following day. Then we see a beekeeper running through the living room aflame.
KITCHEN
In the kitchen, Ted and Robin fight over the concept of Robin's female superiority, bickering and bickering about how she yelled at an elderly woman who tried to steal some of her food. Lily comes in, overwhelmed with the idea of hosting the party, and realizes the internet-bought Gouda cheese is infested with rats and mold. We also find out Marshall has been fired from his job after confronting Mr. Cootes. Oh, and we learn that Geraldine likes to cut off certain 'parts' of her lovers! The more you know! Then we see a beekeeper running through the living room aflame.
As a whole, this episode really didn't factor into the overarching plot (at least, we don't think it did) but was a really nice and warm look at Lily and Marshall's home...the home that I don't think will last. Mwahaha...ha...haha...
This was our very first TV recap, so...how did we do? Leave a comment below saying what you liked and what you think we should work on!
Last night was the premiere of the long-awaited new episode of the seventh season of How I Met Your Mother. In this episode, the audience joins Lily and Marshall as they hold a housewarming party and invite not only the rest of the gang, but Marshall's boss, Lily's dad (a resident at the Eriksen-Aldrin home), and a divorced woman named Geraldine (and who chases women? Barney, that's who).
One thing I liked about the episode is the aspect of getting straight into the story. It was very fresh to see the housewarming party occur from the get-go, and not watch on as Lily and Marshall hurriedly prepare a sure-to-be-a-disaster get-together. The episode provides backstory by using the show's well-known flashbacks. So we'll do that here.
THE LIVING ROOM
Here, we see Marshall, Lily, Mr. Cootes (Marshall's boss), and Ted (primarily). Marshall and Lily are panicking about the stress of hosting their own housewarming party, something I find very believable for Marshall moreso than Lily. I'm not sure why, but I think Lily's characterization in this episode was a little off. I see Lily as the maternal, yet BA, member of the group, who handles situations in a calm and rational way rather than worrying about the outcome of things. While we do see Lily freak out a couple of times, I just wasn't feeling it this time around. As per the whole Ted/Cootes thing, the main issue was that Mr. Cootes was forcing Marshall to come in late at work and then searches for some Spring Rolls, only to find that they've vanished and believes that Ted was the one who ate them all. Then we see a beekeeper running through the living room aflame.
THE DINING ROOM
We see Barney flirting with divorcee Geraldine and plan to--well, you know--do what Barney always does. Whilst this is occurring, we see Barney eat the last of the Spring Rolls and accuse Ted of doing so when Mr. Cootes asks who finished them off. We also see Marshall plan to confront Cootes about comign into work the following day. Then we see a beekeeper running through the living room aflame.
KITCHEN
In the kitchen, Ted and Robin fight over the concept of Robin's female superiority, bickering and bickering about how she yelled at an elderly woman who tried to steal some of her food. Lily comes in, overwhelmed with the idea of hosting the party, and realizes the internet-bought Gouda cheese is infested with rats and mold. We also find out Marshall has been fired from his job after confronting Mr. Cootes. Oh, and we learn that Geraldine likes to cut off certain 'parts' of her lovers! The more you know! Then we see a beekeeper running through the living room aflame.
As a whole, this episode really didn't factor into the overarching plot (at least, we don't think it did) but was a really nice and warm look at Lily and Marshall's home...the home that I don't think will last. Mwahaha...ha...haha...
This was our very first TV recap, so...how did we do? Leave a comment below saying what you liked and what you think we should work on!
Lena Duchannes and Ethan Wate Cast in 'Beautiful Creatures''
!!!
Pleasant surprise! I log onto Hypable and see, to my surprise, that not only has Viola Davis (The Help) been confirmed as playing Amma in the Beautiful Creatures film, but Ethan Wate and Lena Duchannes (the story's leads) have also been cast!
Alice Englert and Jack O'Connell will assume the roles of Ethan and Lena, the story's star-crossed lovers.
Stay tuned to PP for more Creatures casting news!
Thanks to Hypable
Pleasant surprise! I log onto Hypable and see, to my surprise, that not only has Viola Davis (The Help) been confirmed as playing Amma in the Beautiful Creatures film, but Ethan Wate and Lena Duchannes (the story's leads) have also been cast!
Alice Englert and Jack O'Connell will assume the roles of Ethan and Lena, the story's star-crossed lovers.
Stay tuned to PP for more Creatures casting news!
Thanks to Hypable
Tuesday, February 7, 2012
Book Review | 'The Fault in Our Stars'
The Fault in Our Stars
John Green
Penguin
Kindle Fire eBook
Five out of Five Stars

The Fault in Our Stars is the heart-breaking new novel by John Green, documenting a point in time of a girl named Hazel Grace Lancaster's life in which she meets, and falls in love with, a boy named Augustus Waters. Hazel and Augustus, however, both have cancer and spend the book realizing that they should live their lives to the fullest they can be, traveling from Indiana to Amsterdam and back to Indiana. If you are a big worrywart when it comes to spoilers/you haven't read the book, you may want to leave this page just to make sure you avoid anything you may consider to be a spoiler in the slightest.
John Green
Penguin
Kindle Fire eBook
Five out of Five Stars
The Fault in Our Stars is the heart-breaking new novel by John Green, documenting a point in time of a girl named Hazel Grace Lancaster's life in which she meets, and falls in love with, a boy named Augustus Waters. Hazel and Augustus, however, both have cancer and spend the book realizing that they should live their lives to the fullest they can be, traveling from Indiana to Amsterdam and back to Indiana. If you are a big worrywart when it comes to spoilers/you haven't read the book, you may want to leave this page just to make sure you avoid anything you may consider to be a spoiler in the slightest.
Sunday, February 5, 2012
Review | 'Born To Die', by Lana Del Rey
Born To Die
Lana Del Rey
Interscope Records
Four out of Five Stars
I first heard about Lana Del Rey in December when it was announced that Dan Radcliffe would be hosting Saturday Night Live. I had never once known that a woman (tentatively) named Lana Del Rey existed, let alone possessed such raw and beautiful talent. To be frank, I disliked her performance on SNL and was reluctant to listen to studio versions of her music since I'm a big supporter of "If the singer sucks live, they suck. Period." But after watching a couple other performances and listening to 'Video Games' about fifty times, I purchased Born To Die as my first album on my Kindle Fire.
The three most striking songs actually appear mid-album. 'Video Games', 'Diet Mountain Dew', and 'Dark Paradise' triumph over the other songs, but not by much. They all provide a tender look at Del Rey's solemn yet anomaly-like heart and soul. Del Rey presents a vulnerable yet passionate look at love and reluctance and temptation, three concepts of life that seem to harm people the most. Songs like 'Blue Jeans', 'Off to the Races', and 'Carmen' provide a very direct message that is both risky and wondrous at the same time. The title track serves as an anthem of living and loving as a human, and experiencing the faults that are entitled to one's presence on this planet before they pass on. Other songs sort of melt together with aforementioned tracks, such as 'National Anthem' and 'Radio' and 'Carmen.' The final three songs also seem to blend together very well. Although some critics bash the album for its repetitiveness, I praise the catchy hooks of Lana Del Rey's breakthrough record. Lana stated that she doubts that she will even produce a subsequent record, and I actually would concur that that would be a rather wise choice; not in the sense that I hate this record or anything, but in the sense that Lana Del Rey incredibly brilliantly conveyed her messages to the audience and needs to more proof that she has come into her own as a phenomenal vocalist.
Lana Del Rey
Interscope Records
Four out of Five Stars
I first heard about Lana Del Rey in December when it was announced that Dan Radcliffe would be hosting Saturday Night Live. I had never once known that a woman (tentatively) named Lana Del Rey existed, let alone possessed such raw and beautiful talent. To be frank, I disliked her performance on SNL and was reluctant to listen to studio versions of her music since I'm a big supporter of "If the singer sucks live, they suck. Period." But after watching a couple other performances and listening to 'Video Games' about fifty times, I purchased Born To Die as my first album on my Kindle Fire.
The three most striking songs actually appear mid-album. 'Video Games', 'Diet Mountain Dew', and 'Dark Paradise' triumph over the other songs, but not by much. They all provide a tender look at Del Rey's solemn yet anomaly-like heart and soul. Del Rey presents a vulnerable yet passionate look at love and reluctance and temptation, three concepts of life that seem to harm people the most. Songs like 'Blue Jeans', 'Off to the Races', and 'Carmen' provide a very direct message that is both risky and wondrous at the same time. The title track serves as an anthem of living and loving as a human, and experiencing the faults that are entitled to one's presence on this planet before they pass on. Other songs sort of melt together with aforementioned tracks, such as 'National Anthem' and 'Radio' and 'Carmen.' The final three songs also seem to blend together very well. Although some critics bash the album for its repetitiveness, I praise the catchy hooks of Lana Del Rey's breakthrough record. Lana stated that she doubts that she will even produce a subsequent record, and I actually would concur that that would be a rather wise choice; not in the sense that I hate this record or anything, but in the sense that Lana Del Rey incredibly brilliantly conveyed her messages to the audience and needs to more proof that she has come into her own as a phenomenal vocalist.
Saturday, February 4, 2012
Book Review | 'The Night Circus'
The Night Circus
Erin Morgenstern
Doubleday
380 pg., U.S. Hardcover
Five out of Five Stars
Oh, my Dumbledore. This book was just...too much for me to handle. But I did handle it, and I'm glad I did.
For those who don't know, The Night Circus follows Celia and Marco, along with their comrades (Circus 'freaks') as they compete in a 'game' created by Celia's father and Marco's mentor. As the game ensues, Celia and Marco develop a romantic bond so dangerous, it poses the greatest threat possible to the Circus and its players.
I'm giving this book five starters really for only one reason: Morgenstern's writing style. Sure, the plot was gorgeously crafted and the characters presented in a wondrous way, but Morgenstern's intricately written sentences were what really did it for me. Had Morgenstern's writing style not been as great, I probably still would have given the book such high praise, but the style really was fitting with everything else going on with the story.
Next in line on the Hierarchy of WONDER is the plot. I thought the plot was incredibly original, and I loved the way the time periods switched, and it was done in such a smooth way that was easy to follow as one perspective transitioned into the next one.
The characters (people I hope are glorious) were not as strong as I hoped they would be. I thought every character seemed almost the same, and not enough raw emotion was implemented as all the trials and tribulations of being apart of the Circus approached each character. I thought the darkness of the story never really moved; it was just very still and dry. I would have loved some happy moments with the characters where we didn't have to worry about anything, and there were SOME, just not as many as readers might hope for.
Overall, this book truly was amazing, and I would recommend it to anyone asking 'what book should I read?'
Erin Morgenstern
Doubleday
380 pg., U.S. Hardcover
Five out of Five Stars

Oh, my Dumbledore. This book was just...too much for me to handle. But I did handle it, and I'm glad I did.
For those who don't know, The Night Circus follows Celia and Marco, along with their comrades (Circus 'freaks') as they compete in a 'game' created by Celia's father and Marco's mentor. As the game ensues, Celia and Marco develop a romantic bond so dangerous, it poses the greatest threat possible to the Circus and its players.
I'm giving this book five starters really for only one reason: Morgenstern's writing style. Sure, the plot was gorgeously crafted and the characters presented in a wondrous way, but Morgenstern's intricately written sentences were what really did it for me. Had Morgenstern's writing style not been as great, I probably still would have given the book such high praise, but the style really was fitting with everything else going on with the story.
Next in line on the Hierarchy of WONDER is the plot. I thought the plot was incredibly original, and I loved the way the time periods switched, and it was done in such a smooth way that was easy to follow as one perspective transitioned into the next one.
The characters (people I hope are glorious) were not as strong as I hoped they would be. I thought every character seemed almost the same, and not enough raw emotion was implemented as all the trials and tribulations of being apart of the Circus approached each character. I thought the darkness of the story never really moved; it was just very still and dry. I would have loved some happy moments with the characters where we didn't have to worry about anything, and there were SOME, just not as many as readers might hope for.
Overall, this book truly was amazing, and I would recommend it to anyone asking 'what book should I read?'
Book Review | 'The Scorpio Races'
The Scorpio Races
Maggie Stiefvater
Scholastic Press
404 pg., U.S. Hardcover
(A generous) Three out of Five Stars
I'm really sorry, Maggie Stiefvater, but this book was a colossal disappointment.
Going into Races, I was expecting a thrilling tale of suspense and ravenous horses and character development, but I got none of that. At least, I--Riley Peek--did not. I'm sure many, many other people love(d) this book, but I just do not concur with that opinion.
First let's look at the plot:
Apparently, every November a race between water horses takes place, but I honestly was not captivated by this concept at all. I thought that I would be, but I wasn't. In my most 'humble' opinion, the plot was an attempt to rival the brutality of the Hunger Games, but failed. Sure, the concept could potentially have been WONDERFUL, but I just wasn't convinced that the threats were real to the characters.
I will say, though, that I was able to discern the supremacy and importance of the Races from the way characters reacted, which is ALWAYS good! I just wasn't entirely pulled in to the storyline.
Now let's look at the characters.
The story (primarily) follows two racers: Puck Connolly and Sean Kendrick. Kendrick has competed before, Connolly has not. Kendrick and Connolly, however, do not seem to be two individuals to me, but one entity that just has two families. Stiefvater's way of splitting the perspectives was very, very difficult to keep up with to the point where I just forgot that the chapters alternated perspectives between Puck and Sean. If there is anything I do enjoy about the characters, it would be the angst that they possess and the ways that they exert it. I think that they were very true teenagers and characterized in a very proper way, the characterization was just not upheld as much as it could have been.
I honestly do not want to bash this book, I really wanted to love it! Perhaps my expectations were just held too high and were just mitigated after reading the book. I tried my best to point out both flaws and successes in the story, it was just very hard!
I definitely will at least look into Stiefvater's next release, The Raven Boys, and will read the Shiver trilogy, but will learn to lower my expectations and hope for a fun plot!
I'll deeply consider reading the sequel to Races, as well.
Maggie Stiefvater
Scholastic Press
404 pg., U.S. Hardcover
(A generous) Three out of Five Stars

I'm really sorry, Maggie Stiefvater, but this book was a colossal disappointment.
Going into Races, I was expecting a thrilling tale of suspense and ravenous horses and character development, but I got none of that. At least, I--Riley Peek--did not. I'm sure many, many other people love(d) this book, but I just do not concur with that opinion.
First let's look at the plot:
Apparently, every November a race between water horses takes place, but I honestly was not captivated by this concept at all. I thought that I would be, but I wasn't. In my most 'humble' opinion, the plot was an attempt to rival the brutality of the Hunger Games, but failed. Sure, the concept could potentially have been WONDERFUL, but I just wasn't convinced that the threats were real to the characters.
I will say, though, that I was able to discern the supremacy and importance of the Races from the way characters reacted, which is ALWAYS good! I just wasn't entirely pulled in to the storyline.
Now let's look at the characters.
The story (primarily) follows two racers: Puck Connolly and Sean Kendrick. Kendrick has competed before, Connolly has not. Kendrick and Connolly, however, do not seem to be two individuals to me, but one entity that just has two families. Stiefvater's way of splitting the perspectives was very, very difficult to keep up with to the point where I just forgot that the chapters alternated perspectives between Puck and Sean. If there is anything I do enjoy about the characters, it would be the angst that they possess and the ways that they exert it. I think that they were very true teenagers and characterized in a very proper way, the characterization was just not upheld as much as it could have been.
I honestly do not want to bash this book, I really wanted to love it! Perhaps my expectations were just held too high and were just mitigated after reading the book. I tried my best to point out both flaws and successes in the story, it was just very hard!
I definitely will at least look into Stiefvater's next release, The Raven Boys, and will read the Shiver trilogy, but will learn to lower my expectations and hope for a fun plot!
I'll deeply consider reading the sequel to Races, as well.
Film Review | 'The Descendants'
The Descendants
George Clooney, Shailene Woodley
Directed by Alexander Payne
2012
A-, 4.5 Stars
The Descendants is the story of Matt King, a man who is the descendant (hence the title) of a Hawaiian princess and her husband from the mainland. King is entrusted with the family's property and is in charge of dictating what the property becomes when the time is right. King's wife, though, has been in a terrible boating accident and knocked into a coma. As Elizabeth King slowly lets go of life, King (with the help of his two daughters and a rude teenage boy called Sid) discovers that she had an affair with another man whilst being married to King. He embarks on a journey to rebuild his relationship with his family and find the man who stole his wife from him.
This film was seriously a tremendous film. I know that a film with Academy Award nominations is expected to be phenomenal, but this film truly blew me off my feet. The characterization of Clooney's character, as well as Woodley's, triumph high above the rest of the characters, but the character that I find most enticing and most interesting is that of Elizabeth King, played by Patricia Hastie. As the story unfolds, the intimate exposition of Elizabeth King unfolds, and the audience is exposed to her biggest secret that she kept hidden from everyone, save her eldest daughter (Woodley) and her two best friends. Watching Clooney's character interact with the unconscious Elizabeth King is so moving; the audience is able to discern Matt King's true emotions being forced out of his heart and into the open air, and we watch as he desperately hopes to repair his relationship with his family and wife, but struggles with the confusion of his wife's betrayal.
The plot was rather character-centric. It actually is a very simple plot: man goes on hunt to find man who sleps with wife. There. That's it. No cracks to fill in between. The thing that makes the plot so intense, though, is the presence of characters such as Brian Speer, Speer's wife, Elizabeth King's father and mother, and even the youngest King daughter, Scotty. The characters add so much depth and complication to the way the plot is executed, and the view cannot help but be vacuumed into the silent moments of raw sadness and, at some times, euphoria.
On a rather personal note, there is a scene in the film in which (spoiler alert) King and his daughters bring an urn full of Elizabeth King's ashes to the ocean and scatter the dust in the water. When I was nine-years-old, I was swept into the world of cremation via the death of my grandmother Marilyn (Sue). It was very hard for me to endure fictional characters do something that I, myself, had assisted with nearly six years in the past. That did, however, make it all the more easier to connect with the moment and the emotion of the characters. Being in that situation, it isn't exactly expected of you to cry your eyes out, but to accept the loss of a loved one and oblige to that person's wishes to be set free into the 'Great Unknown.'
Overall, the film was a delightful, powerful, and emotional trip across the Hawaiian Islands that are the King family. The Descendants definitely has my vote for Best Picture.
George Clooney, Shailene Woodley
Directed by Alexander Payne
2012
A-, 4.5 Stars
The Descendants is the story of Matt King, a man who is the descendant (hence the title) of a Hawaiian princess and her husband from the mainland. King is entrusted with the family's property and is in charge of dictating what the property becomes when the time is right. King's wife, though, has been in a terrible boating accident and knocked into a coma. As Elizabeth King slowly lets go of life, King (with the help of his two daughters and a rude teenage boy called Sid) discovers that she had an affair with another man whilst being married to King. He embarks on a journey to rebuild his relationship with his family and find the man who stole his wife from him.
This film was seriously a tremendous film. I know that a film with Academy Award nominations is expected to be phenomenal, but this film truly blew me off my feet. The characterization of Clooney's character, as well as Woodley's, triumph high above the rest of the characters, but the character that I find most enticing and most interesting is that of Elizabeth King, played by Patricia Hastie. As the story unfolds, the intimate exposition of Elizabeth King unfolds, and the audience is exposed to her biggest secret that she kept hidden from everyone, save her eldest daughter (Woodley) and her two best friends. Watching Clooney's character interact with the unconscious Elizabeth King is so moving; the audience is able to discern Matt King's true emotions being forced out of his heart and into the open air, and we watch as he desperately hopes to repair his relationship with his family and wife, but struggles with the confusion of his wife's betrayal.
The plot was rather character-centric. It actually is a very simple plot: man goes on hunt to find man who sleps with wife. There. That's it. No cracks to fill in between. The thing that makes the plot so intense, though, is the presence of characters such as Brian Speer, Speer's wife, Elizabeth King's father and mother, and even the youngest King daughter, Scotty. The characters add so much depth and complication to the way the plot is executed, and the view cannot help but be vacuumed into the silent moments of raw sadness and, at some times, euphoria.
On a rather personal note, there is a scene in the film in which (spoiler alert) King and his daughters bring an urn full of Elizabeth King's ashes to the ocean and scatter the dust in the water. When I was nine-years-old, I was swept into the world of cremation via the death of my grandmother Marilyn (Sue). It was very hard for me to endure fictional characters do something that I, myself, had assisted with nearly six years in the past. That did, however, make it all the more easier to connect with the moment and the emotion of the characters. Being in that situation, it isn't exactly expected of you to cry your eyes out, but to accept the loss of a loved one and oblige to that person's wishes to be set free into the 'Great Unknown.'
Overall, the film was a delightful, powerful, and emotional trip across the Hawaiian Islands that are the King family. The Descendants definitely has my vote for Best Picture.
The Woman In Black Review
Hey, Stefanie here!
Okay, so Riley and I went to see "The Woman in Black" last night. And let me just say, my head was in my hands for most of the movie. But that's okay, because I still heard everything that was going on (also Riley gave me the Cliff's Notes later)!
For all you die-hard horror flick fans out there, this movie will probably be about a seven on your thrill-meter. It's got lots of freaky stuff, like cemeteries, creepy old houses, and high tides that are really good for drowning in.
But for the DanRad fans that don't like horror and just want to see him wearing his oh-so-hawt 1800's garb (like me!), this movie probably isn't for you. Sorry to say it guys, but every time there's a good three minutes of silence, something will pop out. Just like every other horror movie. Eet eez (Phlegm!) gonna make you spill your soda everywhere if you're not careful.
Wikipedia reports, "The Woman in Black is about a menacing spectre that haunts a small English town, foreshadowing the death of children." Very true. But it's a bit more than just that.
In terms of the plot, it was about as good as any scary flick can get: something bad is happening, our protagonist doesn't realize it, then goes to figure out what happens. A few scary things go down, and BAM! Our protaggy figures it out. They attempt to calm whatever is happening/solve for the problem. Then some more freaky-deaky stuff, and the thing stares at us eerily so they can make a sequel. The end! The actual substance of the plot was very well-developed, though. I had a thorough understanding of town of Crythin Gifford, as well as eerie Eel Marsh House. The history that they portrayed was very rich, and I had to write down my address multiple times so that I could remind myself that I lived nowhere near that town. Maybe I'm just being dramatic, but it kind of made me feel like I should never do some kind of reenactment of that time period. Ever. It might bring that creepy Woman back. *shiver* The acting was also fabulous, and it really does achieve it's intended purpose: it makes you afraid of the dark.
Unfortunately, I can't give out much more without you guys screaming spoilers. *sigh*
Overall, Riley liked it, and I just liked DanRad (c'mon people, he holds a child. What's more adorable than your favorite Boy Wizard holding a child?). It's a lukewarm horror story, but still good for a fun night out. My rec for those of you that only do romcoms? Skip the theatre, and get it on DVD so you can fast-forward the scary stuff and pause on Dan's close-ups.
Okay, so Riley and I went to see "The Woman in Black" last night. And let me just say, my head was in my hands for most of the movie. But that's okay, because I still heard everything that was going on (also Riley gave me the Cliff's Notes later)!
For all you die-hard horror flick fans out there, this movie will probably be about a seven on your thrill-meter. It's got lots of freaky stuff, like cemeteries, creepy old houses, and high tides that are really good for drowning in.
But for the DanRad fans that don't like horror and just want to see him wearing his oh-so-hawt 1800's garb (like me!), this movie probably isn't for you. Sorry to say it guys, but every time there's a good three minutes of silence, something will pop out. Just like every other horror movie. Eet eez (Phlegm!) gonna make you spill your soda everywhere if you're not careful.
Wikipedia reports, "The Woman in Black is about a menacing spectre that haunts a small English town, foreshadowing the death of children." Very true. But it's a bit more than just that.
In terms of the plot, it was about as good as any scary flick can get: something bad is happening, our protagonist doesn't realize it, then goes to figure out what happens. A few scary things go down, and BAM! Our protaggy figures it out. They attempt to calm whatever is happening/solve for the problem. Then some more freaky-deaky stuff, and the thing stares at us eerily so they can make a sequel. The end! The actual substance of the plot was very well-developed, though. I had a thorough understanding of town of Crythin Gifford, as well as eerie Eel Marsh House. The history that they portrayed was very rich, and I had to write down my address multiple times so that I could remind myself that I lived nowhere near that town. Maybe I'm just being dramatic, but it kind of made me feel like I should never do some kind of reenactment of that time period. Ever. It might bring that creepy Woman back. *shiver* The acting was also fabulous, and it really does achieve it's intended purpose: it makes you afraid of the dark.
Unfortunately, I can't give out much more without you guys screaming spoilers. *sigh*
Overall, Riley liked it, and I just liked DanRad (c'mon people, he holds a child. What's more adorable than your favorite Boy Wizard holding a child?). It's a lukewarm horror story, but still good for a fun night out. My rec for those of you that only do romcoms? Skip the theatre, and get it on DVD so you can fast-forward the scary stuff and pause on Dan's close-ups.
Labels:
daniel radcliffe,
movie reviews,
the woman in black
Friday, February 3, 2012
The Stiefvater Secret Project Is...
For a while, New York Times-bestselling author Maggie Stiefvater has been teasing a new project, besides The Scorpio Races. On February 2, 2012, Stiefvater took to her blog to announce The Raven Boys, a new fantasy story taking place centered around two characters called Blue Sargent and Richard Campbell Gansey III. The synopsis Stiefvater provides states:
Stiefvater also provided the cover for the book.

Are you going to check out the book when it hits shelves September 18?
Filled with mystery, romance, and the supernatural, The Raven Boys introduces readers to Richard “Dick” Campbell Gansey, III and Blue Sargent. Gansey has it all—family money, good looks, devoted friends—but he’s looking for much more than that. He is on the hunt to find Glendower, a vanished Welsh king. Legend has it that the first person to find him will be granted a wish—either by seeing him open his eyes, or by cutting out his heart.
Blue Sargent, the daughter of the town psychic in Henrietta, Virginia, has been told for as long as she can remember that if she ever kisses her true love, he will die. But she is too practical to believe in things like true love. Her policy is to stay away from the rich boys at the prestigious Aglionby Academy. The boys there—known as Raven Boys—can only mean trouble. When Gansey and his Raven Boy friends come into her life, Blue realizes how true this is. She never thought her fortune would be a problem. But she was wrong.
Stiefvater also provided the cover for the book.

Are you going to check out the book when it hits shelves September 18?
New 'Hunger Games' Trailer Released
Yesterday, Yahoo! Movies surprised the internet with the new Hunger Games trailer that was expected to premiere during the Super Bowl. (Sorry for the late post) Watch the new clip after the jump.
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